The concert, future result of this whole month work, is now in two weeks. Such hard work every single day that it goes by very quickly! I have to agree with Aaron and Ryan about the amount of interesting work to do here and the method they are using. Being around professional conductors from "La Palau de la Musica" and "Orfeo Catala" to get 360 children in a choir has taught me how to entertain the children into singing and listening and that we cannot rely on scores or leave one single second (litteraly) of distraction during the class.
And it is fun! They discover our teaching (sounds related to activities of every day: "tch, pf, sh, ts, k, r" related to showering, train noises, mosquitoes, cars, brushing. It works great with children) and the older ones have a lot of respect: we teach them what they do wrong-- while turning it into a show to make them laugh, therefore remember and apply later--so they can improve their technique. I have to agree once again with Ryan and Aaron in their last post when dealing with intonation and structure of the class. From what I have seen so far, the children have not been taught how to pitch, they only repeat after the teacher more and more without being propperly corrected. The rhythm is often not correctly settled for them by the musician, which slows down the class and confuses the interpretation.
The main point is that there is no concrete communication from the children during the classes in schools. The idea is not only to follow the orders and listen to the stories but to react to them with their musical abilities: during the rehearsals these past weeks, they are asked to come up with musical tunes, rhythmical patterns, dance moves. We ask them to make contrasts in the music therefore use up their memory from the warm-ups and the music they sing. The conducting is precise so that they should understand the entries, the expression and dynamic of the songs, the words and the direction of the piece. No need to get annoyed with them or beg them to do anything as we single them out to make each child feel more important and noticed. That way they can loosen up more and let go of their guard so as to be more expressive.
On the other hand, we went to Godrej on our free day of the week to discover the school (primary and secondary): They emphasize the education on art discovery and development. The values and principles of life are taught through prayers, yoga every morning, pottery, painting, drawing, creating works of art with recycled materials, making instruments out of recycled pieces (Coca-cola caps or coconuts) and important words in the songs. The children are being taught to think and create for themselves.
I've analysed Hindi music more in the few more sessions we've had and the rhythm is brilliantly intoxicating. The tunes don't use a wide range and mainly repeat the same words all together (no parts singing). It seems like the tune is set and the rhythm is varied which may explain why they don't really warm-up before choir Hindi singing: the repetition of the same phrases and the small amount of notes used make up for part of our singing exercices! But it is lacking in teaching the function of the body.
In Godrej's primary school, the children recognize all the sounds of different instruments, melodies or rhythms and immediately know what actions, songs and positions to take. No need to explain or order. Music highly develops the brain connections and it is great to see how their memory and ear just get better. One of the hardest thing for them is coordination and choir rehearsal with instruments in their hands teach them patience and group work.
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